000 01915 a2200229 4500
008 241205b |||||||| |||| 00| 0 eng d
020 _a9789395073592
082 _a305.40954 DEW
100 _aDewan, Saba
245 _aTawaifnama
260 _aChennai:
_bContext,
_c2022.
300 _a628p.:
_bpbk.:
_c23cm.
504 _aIncludes bibliography, notes and acknowledgment.
520 _aThis is a history, a multi-generational chronicle of one family of well-known tawaifs with roots in Banaras and Bhabua. Through their stories and self-histories, Saba Dewan explores the nuances that conventional narratives have erased, papered over or wilfully rewritten. In a not-so-distant past, tawaifs played a crucial role in the social and cultural life of northern India. They were skilled singers and dancers, and also companions and lovers to men from the local elite. It is from the art practice of tawaifs that kathak evolved and the purab ang thumri singing of Banaras was born. At a time when women were denied access to the letters, tawaifs had a grounding in literature and politics, and their kothas were centres of cultural refinement. Yet, as affluent and powerful as they were, tawaifs were marked by the stigma of being women in the public gaze, accessible to all. In the colonial and nationalist discourse of the nineteenth and twentieth centuries, this stigma deepened into criminalisation and the violent dismantling of a community. Tawaifnama is the story of that process of change, a nuanced and powerful microhistory set against the sweep of Indian history. https://www.amazon.in/Tawaifnama-Saba-Dewan/dp/938868981X
650 _aCourtesans - India - History
650 _aHuman Trafficking
650 _aDance - India - History
650 _aColonial and Nationalist Discourse
650 _aNon-Fiction
650 _aSocial and Cultural Life of Northern India
942 _cTD
_2ddc
999 _c61416
_d61416